Agostino Musi Called Agostino Veneziano the Skeletons 1518 Engraving

The Ball at the Mansion House, Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

Saint Francis Receiving the Stigmata, Agostino Carracci

seated angel at right, wearing long dress and crown of laurel branches, holding a book and calipers; woodworking tools at bottom; sleeping dog, LLQ; somber putto seated on a wheel to left of angel; hourglass, bell and scales in URQ; tiny village and landscape with water, ULC

original woodcut illustration of the Anthony Prize for the best daguerreotype. The print shows the massive silver pitcher which Edward Anthony offered for America's first photographic competition. The Anthony Prize was won by Jeremiah Gurney for his whole plate portrait of his daughter. Print published in 'Gleason's Drawing Room Companion', 1853.

Mars, Venus, and Cupid, Lucas Huygensz van Leyden

Portrait of Giovanni Battista Piranesi, Francesco Piranesi; Artist: after a statue by Angelini

Bacchanal with a Wine Vat, Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century?

an advertising circular for Gurney's Premium daguerreian gallery in the fashion of a broken banknote. Beaumont Newhall in 'The Daguerreotype in America', referred to this unusual item in the following manner,'Gurney had handbills printed to resemble in size and typography paper money; in each corner were the figures 100 in large type; beneath, written in fine print, were the words 'and forty nine'--the address of his Broadway gallery.' The note has three engraved vignettes Equestrian George Washington, Justice with scales, and an Indian maiden. Borders slightly trimmed, very good condition.

The Peasant Couple at Market, Albrecht Dürer

Christ Taken by the Jews, Albrecht Dürer

Sudarium Displayed by Two Angels, Albrecht Dürer

The Penance of St. John Chrysostom, Albrecht Dürer

Virgin Crowned by Two Angels, Albrecht Dürer

Woman Milking a Goat, Robert Sargent Austin

Lady on Horseback and Lansquenet, Albrecht Dürer

The Coat-of-Arms with the Skull, Albrecht Dürer

St. Sebastian Tied to a Column, Albrecht Dürer

Virgin and Child Seated by a Tree, Albrecht Dürer

Christ Crowned with Thorns, Albrecht Dürer

Virgin on the Crescent with Crown of Stars and Scepter, Albrecht Dürer

St. Christopher with the Head Turned to the Right, Albrecht Dürer

The Virgin with the Pear, Albrecht Dürer

Pilate Washing His Hands, Albrecht Dürer

Plate III from Marriage A-La-Mode, after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Joseph Lowered into the Pit, Georg Pencz

Plate IV from Marriage A-La-Mode, after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

The Expulsion from Paradise, Sebald Beham

A Foolish Virgin, After Martin Schongauer; Artist: Urs Graf

Virgin Crowned by One Angel, Albrecht Dürer

Plate V from Marriage A-La-Mode, after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

stylized anteater in profile from PL, rendered in various types of lines

%C2%A9 Estate Ray H. French

couple with standing man at left, offering jewelry to a seated woman looking down at her bare breast; woman leans her PL elbow on a box with broken pots inside; more broken pots in LRC; winter landscape in background with bare trees and ruined buildings; text at bottom below image

couple wearing rather plain garments, with woman at left standing behind a table, holding a bucket of fish with her PL hand; flat tray-like basket of fish on table, with long, thin fish on table in LRC; man at right seated on edge of a boat; sea scene behind couple with fishermen on boats and on shore pulling in nets and filling barrels; tower with smoke in ULC; text at bottom below image

elaborately-dressed couple, with man at left wearing sleeves and breastplate of armor, with a long sword at his hip and carrying a handled pot on a long staff over his PR shoulder; woman at right carries a tiny lion-faced dog (or monkey?) in the crook of her PL arm, with a rooster on the bundle on her upper back and two dead birds tied to her belt; woman carries turnips in a small apron pouch on her abdomen; landscape in background with burning buildings in ULC, figure attacking another with a sword, man chasing a flock of geese with a sword and a reaper; text at bottom below image

rondel: nude female figure R of center, clutching her robes to her body with one hand, and fending off two men with the other; at L, two bearded men grabbing at her body; a park with fountains and putti in background

chaotic fight scene between centaurs and nude women; figures are fighting with arrows, ceramics, shields, daggers, etc.

haggard male figure collapsing into the arms of an older, bearded man; another man at L approaches with coat, while another to his R looks on; in background at L, a woman butchers an animal in a trough

nude figures fighting with spears, clubs, and shields at L and C; two men dragging female figure to boat at R

farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes

male figure leaning on long staff against a tree; large herd of pigs behind him

nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff

three elegantly dressed men standing close together; man at L faces the other two, holding a drum; center figure, with large plumed hat, carries a flag on a pole over PR shoulder; figure at far R, whose face is obscured by flag, holds a flute

male figure with his back to viewer wearing coat with slashed sleeves; PR hand holding large staff; sword scabbard visible at PR hip

rear 3/4 view of female figure standing on a ball; small scarf blowing from her back down towards her knee; figure leans on a staff, holds a thistle-like plant in PR hand

elaborately-dressed couple seated at a table outdoors; woman at left holds a books in her PR hand and rests her PL arm on the shoulder of man at right, who is playing a lute; vase of flowers, footed bowl with fruit and book on table; landscape in background with windmill-like structure, hunters with bows aiming at bird, fisherman and couples beneath a tree; text at bottom below image

largely naked men on horses fighting with spears and clubs; horses rearing slightly over a fallen horse and a fallen man; other men in background with shields

lighter rendition: Christ seated on R side of round table with bread and wine; three men conversing with Christ at the same table; a man enters the scene at far L carrying a pitcher; woman at bottom embraces Christ's ankle

two stylized women standing near a column or street lamp; woman at L is in mid-stride holding a clutch purse at PR hand; woman at R facing woman at L with PR hand adjusting hair

portrait 1/2 length of Daniel van Heil facing right looking at viewer; left hand across chest; wearing cloak and flat white collar

canal with arcing bridge of wrought iron and brick in middle ground; paved brick walkways on either side of canal; boats in distance; trees beyond bridge on both side of waterway, with buildings; a few pedestrians — **Le Canal St. Martin** , 1863

Adolphe Theodore Jules Martial Potémont; Printer: Auguste Delâtre; Publisher: Cadart & Luquet, Paris

Not on View

portrait 1/2 length of de Heem facing right looking at viewer; left hand across chest; after an engraving by Jan Lievens

nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth

nude Eve holding a piece of fruit near PL shoulder; looking toward a snake in ULC; grazing stag in back

column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

This is a reverse copy of the FIRST STATE of 2015.93.141, when the misspelling in the inscription is uncorrected.

nude Adam in contrapposto stance next to tree, holding a fruit still attached to the tree; a lion rests behind Adam on the ground

small round table at center of scene with cheese and wine; three carousing couples around table; jug of wine at bottom center

man with long sword, kneeling, shaking the hand of another man with beard at L; another male figure at far L watches, holding hand to face; estate with trees in background

within a frame four figures in a landscape; upper angel holding oval portrait of man; standing male angel holding broken handle of sythe; woman under his feet; fourth figure, woman handing portrait to upper angel; landscape includes parts of building at top, rocks and trees

dark landscape; figure center left with cape blowing and spear at feet; monument/ fountain right edge

within a frame a man seated on a stone reading; statues on pedestals facing him; large urn behind; trees in distance

man with long curling hair and curly moustache; head tilted down, with foreshortened face; man reads from a book propped up at his PL elbow; cave-like landscape behind man, with tree over his PL shoulder; text at bottom: "IX. / SANCTAM ECCLESIAM CA- / THOLICAM SANCTORUM / COMMUNIONEM."

old man with long curly hair and long wavy beard, resting his PL hand on the hilt of a sword and holding a book in his PR hand; rugged landscape behind man; text at bottom: "NAM MIHI VITA CHRISTUS / EST, & MORS LUCRUM."

balding old man with curly hair and long wavy beard, looking over his PL shoulder, with his PR hand on the side of his head and his PL hand resting on a book; mountain landscape in background; X-shaped cross over man's PR shoulder; text at bottom: "II. / ET IN IESUM CHRISTUM / FILIUM EIUS UNICUM, DOMIN- / UM NOSTRUM]

man with long, curly hair, looking up to PR, with foreshortened facial features; PR hand on chest, PL hand holds a chalice by the foot; small book on table before figure; mountian landscape with swirling clouds in background; text at bottom: "IIII. / PASSUS SUB PONTIO PILATO, / CRUCIFIXUS, MORTUUS & SEPUL- / TUS."

man with curly hair and beard, looking at a book held in his PL hand, holding a staff with a spear tip in his PR hand; cliff behind man with sea over his PL shoulder, birds flying over water; text at bottom: "VII. / INDE VENTURUS EST, IVDICA- / RE VIVOS & MORTUOS."

man with short curly hair and thin curly beard, looking down to PR; man holds a blade on a staff over his PL shoulder and looks at a book; landscape with tree in background; text at bottom: "VIII. / CREDO IN SPIRITUM SANC- / TUM."

balding, bearded old man in prayer; pair of keys and a small book before man; landscape behind, with round opening in rugged landscape over man's PL shoulder; text at bottom: "I. / CREDO IN DEUM PATREM OM- / NIPOTENTUM, CREATOREM / COELI & TERRAE."

man with very short beard and long curly hair, with head tilted up toward PR; man holds book in his PR hand and has PL hand on his breast; cliff and rugged mountain landscape behind man; text at bottom: "XI. / CARNIS RESURRECTIONEM."

man with curly beard and long curly hair, looking up to PL, with foreshortened facial features; knife under PL hand; rugged landscape behind figure; text at bottom: "VI. / ASCENDIT AD COELOS, SEDET / AD DEXTERAM DEI PATRIS OM- / NIPOTENTIS."

Christ as Salvator Mundi, in profile from PL, with long curly hair and short wavy beard; Christ has halo and holds his PR hand in blessing gesture, with an orb with a cross in his PL hand; text at bottom

heavy-set man with hair over his ears, balding on top; man holds a crozier in PR hand, with PL hand on chest; book in front of man; text at bottom: "V. / DESCENDIT AD INFERNA, TER- / TIA DIE RESURREXIT A MOR- / TVIS."

balding older man with wavy beard, resting on hilt of a sword in his PR hand and his PL hand on a small book; text at bottom: "XII. / ET VITAM AETERNAM AMEN."

balding man with tuft of hair at the front of his head and long hair at the the sides and back; man looks at a book; saw behind man over his PR shoulder; rocky landscape in background; text at bottom: "X / REMISSIONEM PECCATORUM"

large composite image with many small vignettes of figures young and old drinking liquor; Bacchus at top center on a pedestal accompanied by male and female figures, a dog and a goat--all three figures raise goblets; ships and houses on fire, ULC; breweries, bars, hospital, jail, an asylum and a workhouse at top center and right; scattered text, including, at center: "SACRIFICED / AT THE SHRINE OF BACCHUS / FATHER, MOTHER, SISTERS, / BROTHERS, WIFE, CHILDREN / PROPERTY, FRIENDS, / BODY AND MIND."

soldier and woman holding branch standing on small ship with male figure holding trident pushing against shore; crowd of people lower right foreground; wall with arched entrance center ground; ranks of people on shore beyond; two castles in distance one right and one left

fleet of sailing ships approaching shore; Cyclops in water carrying palm tree; nude figures on shore with clubs

harbor scene; trees left and right foreground; ruined building with arched pediment behind tree at left; people seated and standing along shore; one ship in right middle ground and three ships in distance

cart pulled by two oxen at center, with man with staff leaning on PR ox; man wearing hat seated on ox at right; two men and a woman carrying a baby ride in cart; bagpiper and man dancing with scythe at right; three girls with bundle of grain at left, with pair of men behind them

reclining woman with PL hand on a skull; at PR, bookstand with cross and covered jar; above, angel on cloud playing violin with three putti on one side and two women behind; below cloud, opening to sea

male and a female figure embracing right foreground; second female figure with spear and sheild flying above; numerous putti at left, one with arrows; round open sided building at far left

nude male figure with cape on L side; nude female figure in darkness on R; angel top center with two wands

nude woman L side with many sea creatures; hills in the background with many flying birds

male figure holding a sword down with both hands and looking behind him, up at an owl flying near a tree; disembodied head near PR foot; image is framed by a tree on either side

Bacchus riding in low chariot pulled by centaurs and led by Satyrs playing instruments; an attendant to R of chariot holds a large bowl overflowing with grapevines, a soldier pushes the chariot from behind; a figure at rear wears blowing cape

four figures in Renaissance-era clothing lowering a dead body into a grave; two women at R, one looks outward, and the other one prays; another man stands to the far R; crown of thorns LLC, and opening to cave in background

nude male figure leaning against a tree, holding fruit in PL hand; city scene behind to R

reverse copy: roundel: seated female figure inside a cathedral interior at R; standing angel at woman's L side; floral leaf border; backward inscription at bottom center

torso and head of bare-breasted woman at center, with curly updone hair, wearing three necklaces, with her garment open in the front, looking upward toward PL, with her eyes drawn upward; another woman at right holding a small sickle in her PR hand draws up a cloth over central woman's lower body; woman at right has braids and wheat in her hair; putti in LLC; youth behind woman with grapes and grape leaves in his hair, holds his PL hand on central woman's PL shoulder and holds a bunch of grapes in his PR hand, over central woman's PR upper arm; text at bottom

image of a Classical outdoor sculpture with two nude men--one at left and one at right--each with a torso of armor near their legs; each figure has a upraised arm; figure at left faces out of the picture plane, figure at right looks toward PL; head of horse on a brick column behind man at right; rearing horse to PL of figure at left; brick support wall with foliage growing between bricks at left center bottom; text on bases below egg and dart trim at left and right; clouds in sky; two sheets joined together

male figure in impressive uniform with billowing sash mid-stride towards L, with sword at side; carrying large, tasseled staff in his PL hand; lines of men in distant background marching in spiral; castle in distant background

nude male figure within cloud opening TC brandishing winged object, standing over large bird; 4 horses, a trough, and nude male tumble from sky at C; nude reclining bearded figure along an embankment with spilling water jars at LL; 3 recoiling nude women to his L; village at R; trees, rocks in background — **Fall of Phaeton** , 1553

Nicolas Béatrizet; Artist: After Michelangelo Buonarroti; Publisher: Antonio Lafreri

Not on View

bearded man in a white garment lying on a bed surrounded by standing soldiers at left--some wearing helmets and holding spears; gesturing man at center pointing upward with PR hand; seated woman with a cloth held over her face at right, accompanied by another woman, a youth, and two boys

seated nude man at left holding a shield in one hand and a sphere in the other; a nude woman has her hand on the top of the sphere and is joined by two additional nude women; Mercury in full armor stands behind seated man and points at himself; cupid has his back to the viewer in the UR corner

small round engraving mounted to mat board; image of a male figure in center with arms extended, gazing toward PR, body covered in hair; holds two shields in each hand; left shield depicts image of a hare; right image depicting a male figure in profile view, high necked collar and wearing a scarf tied on head; central figure stands on a small, grassy mound, with rising earthwork on either side

dark, dramatic interior scene: male figure with head bandage laying on a bed surrounded by men and women in various expressions of angst and grief; man at C holds metal container in one hand and reaches towards man on bed; mourners are in classical dress; sheet draped behind bed with shield appearing in background; figure at far L table looking towards scene

two figures riding a horse at C across river; small groups of people wearing togas and classical dress on both banks, many clutching babies, screaming, and reaching out; trees at L; tents in background

bare breasted crouching woman at left, holding her PR breast to the mouth of a bearded man seated in front of her, with shackled ankles; woman has her PL arm around shoulder of man; man leans against column; text on column and at bottom: "CZINMON" at bottom, "ICH LEB VON DER BRVST MEINER DOCHTER" at right

round image of five figures very close together; nude seated figure at left wearing an acanthus leaf crown and holding a staff; figure at right in foreground reaching out toward seated figure; man wearing a helmet in background to right of seated man

foreshortened lying down infant with a hourglass, URC; three skulls in various positions in a row, with a fourth skull above the leftmost two; other bones between skulls

Plate IV, from Marriage A-La-Mode, William Hogarth; Publisher: William Hogarth

Plate II, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Plate VI, from Marriage A-La-Mode, William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth

Taste in High Life, after William Hogarth; Engraver: Samuel Phillips

Plate III, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Plate I, from Marriage a la Mode, William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth

Il Senat.re E. March.se Giovanni Gerini Patrizio Fiorentino. Portrait., Saverio Manetti; Artist: after Violante Vanni

printed in black and sanguine — **Title Page** , 1770

Jean-Baptiste Pillement; Designer: Jean-Baptiste Pillement; Engraver: Edouard Gautier-D'Agoty

Not on View

image of statue of Apollo, standing naked except for sandals, with cloak draped over extended PL arm and quiver of arrows visible over PR shoulder; tree trunk at Apollo's PR, with snake climbing towards top; statue's round base has text carved along side; seated man in LRC wearing hat with upturned brim and collared tunic, holding writing utensil in PR hand, sketching on board; Latin text print along bottom of image

shirtless Jesus at L with curled mustache and beard, shovel resting over PL shoulder; stigmata visible in raised PR hand and on torso; woman in LR corner, facing Jesus with R hand in hair and L hand resting at LL; buildings and hills visible in background beyond fence; Latin text printed at bottom

Plate IV, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Plate V, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

forest scene with men with spears, lantern and torch leading Jesus; man with dagger drawn standing with his PR foot on another man's PR arm--overcome man lying on ground; other figures in background

two lions on a cliff; left (male) facing viewer; right (female) facing away

two dragons standing, holding wreath with inscription in center; small dragon on top of wreath

Portrait of Johannes Van Balen; three quarter view facing left; almost waist length

one of two prints on a single mat; boquet of flowers with flower names

Perseus holding the head of Medusa; large group of soldiers following him; one man on ground with raised shield center front

center bust of man; couple at left and three couples at right; two other soldiers background center

center image: seated nude woman holding horn of plenty and surrounded by fruits vegetables, small animals and flowers; trees in distance right; surrounding frame: in corners sheep, stag, bull and lion; along sides trees and vines loaded with fruit and flowers; wheat and bread along top, vegetables and fruit at bottom; from a series of four plates

small village of buildings with tile roofs surrounding a small church with bell tower; small buildings close to church; more buildings, sheds added from earlier prints; detailed farmland in background; some huts on right have planks in patches on roof (shutters?)

countryside landscape with winding road built up on brick embankment; small village scene in background with trees, buildings, tall ships, shorter grasses

depiction of octagonal column base with pots on and around a mat in front; chair to the left; pigeons at right; city scene in background

two women with large loads of wood piled on backs, struggling under weight, passing elevated, diamond-shaped shrine of Jesus on crucifix

front view of mask; vertical branch of olive (?) leaves at mask's PR side

five boys dressed in layered robes holding large hymnals, standing and singing; wear ruffled collars; wall/pillars in background

small village of buildings with tile roofs surrounding a small church with bell tower; few building or background details

front view of woman leaning over to tie her goat to a tree trunk; face hidden from view; goat behind woman's PL side grazing on grass

front view of woman leaning over to tie goat to trunk of tree; face turned downward from view; goat grazing behind woman at PL side

church surrounded by buildings; buildings closer to church, some huts have planks and shutters on roof; church roof tiled; more details; brown script at top

elderly woman wearing long dress and patterned shawl, on a kneeler, facing left with head resting on hands on top of kneeler; background of a church, curtain with tassel

bridal scene: young woman in wedding dress and long veil with crown cradling a large bundle of flowers in PR arm, followed by four older women in dresses with head scarves; lilies on the floor in front of bride

five boys dressed in layered robes holding large hymnals, standing and singing; wear ruffled collars

bridal scene: young woman in wedding dress and long veil with crown cradling large bundle of flowers in PR arm, followed by 4 older women in dresses with head scarves; lilies on the floor in front of her

two women, one younger, the other older, kneel at an altar with hands folded; umbrella/parasol rests next to kneeler at PR; flowers, candelabras in foreground, women have kerchiefs or scarves on heads; darker shading; white paper

slightly bent tree with few branches shown; scythes resting, some hooked into crotch of tree; other tools with wooden handles and a work coat rest around the tree; grasses at base of tree

depiction of octagonal stone column base with pots on and around a mat in front; chair to left; pigeons at right; city scene with arched doorways in background

man bent over over stone slab with chisel; surrounded by tools in workshop; holds chisel in PL hand, large wooden mallet in PR; wearing hat, vest, work apron and shirt; plans in foreground partially unrolled

3/4 view waist up portrait of Alessandro Allori; holding artists pallet in proper left hand, brush in right hand; wearing smock and cap

Poets shown twice in a rocky landscape; on the left in converstaion; in center looking at a vision of Beatrice in the sky; hill on right with inscription PER ME

standing young woman with long curly hair, wiping her PR eye with her hand; woman holds a cone-shaped lamp in her PL hand; wreath of flowers at woman's feet in LLC

bedroom with two women next to bed; figure in bed; plumes at top corners of bed; elaborate hangings; open door at left

two monsters, part human part animal sleeping on the edge of a pond; various aquatic creatures in pond; fish bones on shore

young man leaning against a window, reading; hat and large knife hanging at left; sword belt on bed(?); folios on chair, one open — **Print** , 18th century

Capt. William Baillie; Artist: After Rembrandt Harmensz. van Rijn

Not on View

standing man wearing tunic and cloth boots, with PR arm outstretched; woman carrying a bundle of sticks (or arrows?) on her back, holding a chicken by the feet in her PL hand, places her PR hand in man's outstretched hand; jug and basket with eggs, LLC

five images of a dalmation in various positions

Mary wearing a garment with hard creases, holding baby Jesus, who holds an apple in his PR hand; wall at right; buildings in ULQ; landscape over Mary's PR shoulder

two images mounted on one sheet both from "Tarfereel Van de Belacchende Werelt"; a) crowd of people in street; richly dressed man in center with medical instrument in hand pointed at eye of pooly dressed man with long beard leaning on a crutch; richly dressed woman seated behind holding/supporting poor man b) two figures in room with canopied bed; woman seated with feet up at fire; man washing floor; table set for meal in center background; painting of ships on wall above table

image of a large bell surrounded by wooden deck with railing; suspended from straps over wooden board; arched wooden form avobe bell; bell decorated iwth a band of Latin text near the bottom with a cross; artist initials and date included in engraving at very top; on cream colored paper

on beige/grey paper; image of a large bell surrounded by wooden deck with railing; suspended from strap over wooden board; arched wooden form above; bell is adorned with a band of Latin text near bottom with a cross (copy of L2013.108.23 // 2013.70.22)

3/4 view of left side head, chest and left hand of male subject

rear 3/4 view of woman bent over at waist cutting grass with sickle in PR hand, holding grass down with PL; long skirt, vest; simple shoes; wide brimmed hat; long grasses, a tree, and hills with vegetation in background

woman kneeling, resting chin on the large hacksaw she is gripping in her PL hand; PR hand on hip; eyes looking upward; sawed log in front, ladder, log, work gloves behind

front 3/4 view of seated middle-aged woman with arms folded in lap; large, rounded facial features; wispy hair pulled up with sweeping bangs over forehead

woman with halo and draping dress riding donkey, holding swaddled baby with halo; tired looking man with shaggy hair and beard follows closely steering a donkey; a younger donkey follows; desert background and mountains

portrait of young woman with hands folded in lap; wearing folded hat that drapes down behind head

countryside landscape with winding road built up on brick embankment; village in background; wooden and barbed wire fence in foreground with stumps; water to the right; zigzag line in sky

trees at left; square building with arch left center; pond or stream center and right; small boat in water; seated figure on right with fishing pole with standing woman behind; two figures on road at left, one mounted

Atlas holding the world; Hercules with pointer in left hand pointing to a spot on the globe

Delilah seated in chair at center, with sleeping Samson seated, sleeping, on floor in front of her, with knees drawn up and his PL arm over her PL leg; Delilah is preparing to cut Samson's hair curly hair with a large scissors; soldiers with weapons on poles in doorway, ULQ

portrait bust; man with small beard, mustache, curly hair; 3/4 view; elaborate clothing with lace edged high collar and cuffs

one of two prints on a single mat; boquet of flowers with each flower named

Judas returning pieces of silver; Judas suicide in left distance

Jason with fleece over arm at center; woman stabbing dragon at lower left; warriors behind and beside her; three men at right, two on ground, one with club; three putti above Jason carrying portrait of man framed in wreath; crown and sheild on rock lower right

allegorical scene; three women exiting a doorway with Medici Family arms above; first woman holding geometric tools and unwinding string held by second woman; second woman has algebraic symbols on hem of robe; third woman holding open globe shaped object — **Print** , 17th century

Cornelis Bloemaert; Delineator: After Cyrus Ferrius; Artist: After Francisco Romanelli

Not on View

Christ seated wearing crown of thorns; reed in hand; man left front with torch; men on balconies at rear

a frame with putti holding up a cloth with cartouche at bottom; cloth holds text as does cartouche; see inscriptions

within a frame a group of people on the steps of a building; pillars left and right; pediment of another building in distance center; people sitting or lying on steps; woman in center pleading with man seated at left

man tied to tree at left; man with knife in hand on one knee; man with lyre, seated, pointing; man seated at right; all figures in foreground; arched bridge left middle ground; gate with arch middle ground center; field with sheep left distance; trees at right middle ground; hills and fields at distance

man holding knife; boy kneeling at feet; one sheep behind boy; putti above knife; all in oval cartouche

portrait of a man surrounded by an ovoid patterned "frame"; man has shoulder-length wavy hair, moustache and small beard and wears armor and a large collar

woman and man seated at base of tree at center; woman unclothed; man masquerading as old woman with long dress and head wrap; figures surrounded by vegetation abundant with fruit, including, grapes, apples, pumpkins, cabbages and squash, among other flora; two figures embrace in background to R of man; pointing figure in background to L of center; four columns of text with 5 lines each at bottom of page; mated behind glass in brown wood frame

abstract image--may be abstracted landscape with tree in URC; jagged lines and various types of shading/hatching

Mary seen from her PR side, with her head tilted slightly downward and toward right, her PR hand on toddler Jesus' PL shoulder; Jesus at center looks toward Mary; Joseph, with thinning curly hair and long beard, holding staff in PR hand, in background

Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, Pierre Imbert Drevet; Artist: After Hyacinthe Rigaud

Lamech and Cain, Lucas Huygensz van Leyden

Portrait of Anne of Austria, Queen of France, Robert Nanteuil; Artist: After Pierre Mignard

Jules Mazarin, Cardinal, Ministre d 'Etat, Robert Nanteuil; Artist: after Van-mol

The Entombment, Unknown Italian, late 15th - early 16th cetury

one of a set of seven engravings including title page

Esther before Ahasuerus, Gérard Audran; Artist: after Antoine Coypel

S. Giovanni Laterno, Interior, Giovanni Battista Piranesi

The Education of Achilles by the Centaur Chiron, Charles-Clément Bervic; Artist: after Jean Baptiste Regnault

Martyrdom of Saint Felicite, Marcantonio Raimondi; Artist: after Raphael (Raffaello Sanzio or Santi)

Saint Jerome in the Desert, Lucas Huygensz van Leyden

Saint Jerome in a Landscape, Lucas Huygensz van Leyden

The Fall of Man, Lucas Huygensz van Leyden

Solomon's Idolatry, Lucas Huygensz van Leyden

The Annunciation, Sanders Alexander Van Brugsal

Adoration of the Shepherds, Jerome Wierix

Conversion of St. Paul, Lucas Huygensz van Leyden

St. James Major, Lucas Huygensz van Leyden

St. James Minor, Lucas Huygensz van Leyden

The Antiquary, Cornelis Visscher; Artist: after Lorenzo Lotto

Janissaire Porte Enseigne, François Silvestre

Crieur de Potage Turc, François Silvestre

Maurice, Prince of Nassau, Willem Jacobsz. Delff; Artist: after A. van de Venne

William of Nassau, Willem Jacobsz. Delff; Artist: after Michiel Jansz. van Mierevelt

Peter Paul Rubens, Paul Pontius (Du Pont); Artist: After Peter Paul Rubens

St. Bartholomew, Lucas Huygensz van Leyden

The Man of Sorrow Standing by the Column, plate from "The Passion", Albrecht Dürer

Vendeur de balets Turc, François Silvestre

Kuslir Aga ou Chef des Eunuques noirs, François Silvestre

Sacrifice to Priapus: the larger plate, Jacopo de' Barbari

Drunken Silenus, Unknown Italian; Artist: after Andrea Mantegna

Grammar (The Arts and Sciences), Unknown Italian

The Triumph of Scipio, Master of the Die; Artist: after The Antique

Venus and Cupid with an Old Man Caressing a Young Woman in the Background, Jacopo Raibolini Francia

Man with Cradle, Copy after Jacopo de' Barbari; Engraver: Mathias Schmidt

Mercury (Planet and Spheres), Unknown Italian

The Virgin Surrounded by Many Angels, Ferrando Bertelli; Artist: After Albrecht Dürer

Plate II from Marriage A-La-Mode, after William Hogarth; Workshop: G.G. & J. Robinson; Engraver: Thomas Cook

Hercules and Antaeus, Agostino d' Musi; Artist: Copy after Marcantonio Raimondi

Late impression- glued into paper frame.

Silenus on a mule, supported by two satyrs, while other satyrs and Bacchantes celebrate Bacchus by drinking, dancing, and playing with goats; a herm of Priapus in the distance. — **Procession of Silenus** , c. 1531

Agostino Veneziano (Agostino dei Musi); Designer: After a design by Giulio Romano; Designer: or a design by Raphael (Raffaello Sanzio or Santi)

Not on View

Portrait of Hippolyte Feret, French Cleric, Antoine Trouvain; Artist: After Robert Nanteuil

Plate VI from Marriage A-La-Mode, after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Elizabeth, Queen of England, Crispin de Passe the Elder; Artist: Joannes Woutnelius

The Foolish Virgins, Abraham Bosse; Publisher: Jean Le Blond

Joseph Sold to the Ishmaelites, Georg Pencz

Joseph Telling his Dreams to his Father, Georg Pencz

Plate I from Marriage A-La-Mode, after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Ferdinand II, à cheval, Aegidius Sadeler II

The Triumph of Mordecai, Lucas Huygensz van Leyden

The Return from the Wet Nurse, François Hubert; Artist: Jean-Baptiste Greuze

Virgin with the Child Swaddled, Albrecht Dürer

Five Footsoldiers and Mounted Turk, Albrecht Dürer

standing nude male figure wearing a crown of wheat and holding a sheaf of wheat in his PL arm and a small bouquet of wheat in his PR hand; field workers harvesting in background at bottom; symbols for Leo, Cancer and Virgo in sky; skull with hair blowing wind in sky at right; round image

standing nude woman with short curly hair; winged skull-faced creature behind woman, holding her PL wrist and touching her hair with PR hand; city scene in background; hourglass at LLC

standing draped female figure wearing a leafy crown, earrings, beaded necklace, armlets and leg decorations on her calves; woman holds a basket in her PR hand with flowers and has her PL hand on her hip; figures in LLC seated around a table--one figure plays a lute; symbols for Gemini, Taurus and Aries in sky; face blowing wind in sky at right; round image

Coat-of-Arms with a Skull, Albrecht Dürer

Saint Jerome in His Study, Albrecht Dürer

2 images on one sheet; Scene 1 illustrates a couple at left looking at suits hanging on a low rack; back of man wearing a trenchcoat and holding a folded umbrella at right; another figure in back, center; Scene 2 illustrates the couple at right, with the woman leaning against a store fixture and the man putting on a suit jacket, assisted by another man; 2 other men in back at left

Virgin and Child with the Monkey, Albrecht Dürer

Hope, Hieronymus Cock; Artist: after Pieter Brueghel the Elder — **Hope** , 1559

Hieronymus Cock; Artist: after Pieter Brueghel the Elder

Not on View

Star of the Kings, Jan van de Velde; Artist: Pieter Molijn

The Rat Poison Peddler, Cornelis Visscher

Mother and Child with Skull and Hourglass, Barthel Beham

The Beheading of Saint Catherine, Domenico Campagnola

old bearded man wearing a long fur-trimmed coat and pointed cap, holding a small flaming kettle; symbols for Pisces, Aquarius and Capricorn in sky; face blowing snowy wind at left; round image

bound Christ wearing crown of thorns and cape at center standing on a platform, accompanied by other figures; Pilate leans on an inverted U-shaped railing, looking over small crowd in foreground; scattered groups of figures throughout elaborate architecture; dog in LLQ looking at crowd at center foreground

Peasants Going to Market, Martin Schongauer

round image of short heavy-set nude man wearing cape and crown of grape leaves and holding fruit in his PR hand and grapes in his PL hand; short grapevine on a stake at left; symbols for Libra, Scorpio and Sagittarius in sky; face blowing wind in sky at right

Danaë Receiving the Golden Rain, Jacob Matham; Artist: After Abraham Bloemaert

Salome Receiving the Head of Saint John, Hendrik Goudt; Artist: after Adam Elsheimer

Dante and Virgil with the Vision of Beatrice, Unknown Italian (Florence), 15th century; Artist: attributed to Baccio Baldini; Artist: After Alessandro di Mariano Botticelli

scene with ten figures in various states of undress, interacting in small groups throughout foreground (two on left, eight in center); goats and sheep scattered between groups; personified trees on hilltops at left and center in midground; third hill, buildings and bridge over river in background; airborne pegasus flying away in flock of birds

Plan of the Garden and Views of the Dwellings at Chiswick, Jacques Rocque

Moses Presenting the Ten Commandments, Begun by Robert Nanteuil; Engraver: Completed by Gérard Edelinck; Artist: After Philippe de Champaigne; Publisher: Pierre Drevet

Christ on the Cross with Two Saints, Master AG

Beheading of Saint Barbara, Anonymous Master M. Z.

The Rest on the Return from Egypt, Cornelis Cort; Artist: After Federico Barocci

Susanna and the Elders, Cornelis Visscher; Artist: After Guido Reni

Tobias and the Angel, Hendrik Goudt; Artist: After Adam Elsheimer

Martyrdom of Saint Sebastian, Jan Muller; Artist: after Hans von Aachen

Judith with the Head of Holofernes, After Andrea Mantegna; Engraver: Unknown Italian, late 15th-early 16th century; Artist: Formerly attributed to Zoan Andrea; Artist: Formerly considered copy after Giovanni Antonio da Brescia — **Judith with the Head of Holofernes** , c. 1479-1500

After Andrea Mantegna; Engraver: Unknown Italian, late 15th-early 16th century; Artist: Formerly attributed to Zoan Andrea; Artist: Formerly considered copy after Giovanni Antonio da Brescia

Not on View

Battle of Naked Men, Domenico Campagnola

Shepherds in a Landscape, Giulio Campagnola; Artist: Domenico Campagnola

Cosmo I de' Medici, Niccolo della Casa; Artist: after Baccio Bandinelli

Frieze with Tritons and Nymphs, Girolamo Mocetto

David Beheading Goliath, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio or Santi)

Two Cupids Leading Children in a Dance, Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio or Santi)

Rhea Sylvia (Romulus and Remus), Heinrich Aldegrever

The Nativity, Unknown Italian (Florence), 15th century

Theology (The Arts and Sciences), Unknown Italian

Genius of the World (The Genii and Virtues), Unknown Italian

Victory Reclining Amid Trophies, Jacopo de' Barbari

The Holy Family with St. Elizabeth and the Infant St. John, Jacopo de' Barbari

Frieze with Neptune and Tritons, Girolamo Mocetto

Fortune Sailing on a Winged Globe, Master of 1515

Venus Reclining in a Landscape, Domenico Campagnola

Venus and Vulcan Seated on a Bed, Giorgio Ghisi; Artist: after Perino del Vaga (?)

The Holy Family with the Infant Saint John in a Landscape, Benedetto Montagna

Four Dancing Muses, School of Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century

Latona Giving Birth to Apollo and Diana, Diana Mantuana; Artist: After Giulio Romano

Rhinoceros, Enea Vico; Designer: After Albrecht Dürer

Death Surprising a Woman, Master M. (School of Agostino di Musi, called Veneziano)

God Creating the Animals, Unknown Italian, 16th century; Artist: After Raphael (Raffaello Sanzio or Santi)

The Sudarium of Saint Veronica, Claude Mellan

The Fifth Foolish Virgin, Martin Schongauer

The Fourth Wise Virgin, Martin Schongauer

The Crucifixion with Four Angels, Martin Schongauer

Christ Blessing The Virgin, Martin Schongauer

The Flight into Egypt, Martin Schongauer

Christ Before Pilate, After Martin Schongauer; Artist: Adrian Huybrechts I (called Huberti)

Christ Before the High Priest Caiaphas, Martin Schongauer

The Agony in the Garden, Martin Schongauer

Christ Crowned with Thorns, Martin Schongauer

The Capture of Christ, Martin Schongauer

Ornament with Two Genii Riding on Two Chimeras, Sebald Beham

The Genius with the Alphabet, Sebald Beham

Virgin and Child with a Parrot, Sebald Beham

Ornamental Leg-Shaped Vessel, Augustin Hirschvogel

Design for a Hand Mirror, Étienne Delaune

The Marriage of Ferdinand I, Jacques Callot

The Restoration of the Dome of Santa Maria de Fiore, Jacques Callot

Plate 7 from the Life of Ferdinand I de Medicis, Jacques Callot

The Grand Duchess Arranges the Marriages of Young Women, Jacques Callot

The Grand Duke Fortifying the Port of Livorno, Jacques Callot

The Restoration of the Aqueduct at Pisa, Jacques Callot

Plate 6 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 8 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 9 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 10 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 12 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 13 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 14 from the Life of Ferdinand I de Medicis, Jacques Callot

Plate 15 from the Life of Ferdinand I de Medicis, Jacques Callot

Beheading of Saint Catherine, Anonymous Master M. Z.

Christ Carrying the Cross, Master WH; Artist: Reworked by Master AG; Artist: After Martin Schongauer

The Vision of Ezekiel, Giuseppe Longhi; Artist: After Raphael (Raffaello Sanzio or Santi)

Mary Magdalene, Francesco Brizio; Artist: after Ludovico Carracci; Publisher: Nicolas van Aelst

Plate of Ornaments and Grotesques, Cornelius Floris II

Christ Disrobed by the Soldiers, Jan Sadeler I; Artist: After Marcus Gheeraerts

King Arsaces Dedicating a Panther to Dionysus, Jan Collaert II; Artist: after Joannes Stradanus (Jan van der Straet); Publisher: Philips Galle

The Expulsion from Eden, Jan Saenredam; Artist: after Abraham Bloemaert

Adam and Eve after Their Expulsion from Paradise, Lucas Huygensz van Leyden

Saint Jerome in His Study, Lucas Huygensz van Leyden

Abigail and David, Lucas Huygensz van Leyden

Christ Crowned with Thorns, Lucas Huygensz van Leyden

David Playing the Harp before Saul, Lucas Huygensz van Leyden

Beheading of Saint John the Baptist, Lucas Huygensz van Leyden

image of a shield with a fleur de lis on it and a bird perched on top, surrounded by foliage; UR corner is a clock with one hand; UL corner is an hourglass; LL corner is a skull; LR corner is a shield with three stars diagonally across it, framed with other artworks [Lacks inscription frame]

Hercules Killing the Nemean Lion, From the Labors of Hercules, Sebald Beham

Hercules Slaying the Hydra, From the Labors of Hercules, Sebald Beham

Hercules Carrying the Columns of Gaza, From the Labors of Hercules, Sebald Beham

Hercules Killing Cacus, From the Labors of Hercules, Sebald Beham

Hercules Killing Antaeus, From the Labors of Hercules, Sebald Beham

Hercules Capturing Cerberus, From the Labors of Hercules, Sebald Beham

Hercules Killing Nessus, From the Labors of Hercules, Sebald Beham

Hercules Abducting Iole, From the Labors of Hercules, Sebald Beham

Lichas Bringing the Garment of Nessus to Hercules, From the Labors of Hercules, Sebald Beham

Death of Hercules, From the Labors of Hercules, Sebald Beham

Hercules Fighting the Trojans, From the Labors of Hercules, Sebald Beham

abstract image; standing man with child, LLQ; face to left of pair of figures; standing nude man holding candle holder at top center; diagonal lines with hatching; some stick figures, ULQ; square and reversed Z in URQ; triangle and three circles at center; cube and rectangular three-dimensional shapes in LLQ

abstract image; large stick figure holding a rifle at right; various symbols along left edge at top; figure with sheep (?) in ULQ; very thin standing nude male in profile from PR at left edge; various marks and lines throughout

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

abstract image; seated woman with legs apart and hands over her crotch, URQ; face to left of woman's PR knee; stick figures to left of woman's PR foot; seated man with standing woman holding a baby at left center; lion, LLC; various marks and lines throughout

Ground Plan, Base, and Capital of a Corinthian Column, Sebald Beham

Headpiece in the Form of a Fan, Agostino Carracci

Virgil the Sorcerer, Baccio Baldini (attributed to)

The King of Goats: A Satire on Cuckolds, Tommaso di Antonio Finiguerra; Artist: After Antonio Pollaiuolo

And smote Job with sore Boils from the sole of his foot to the crown of his head, William Blake

With Dreams upon my bed thou scarest me & affrightest me with Visions, William Blake

And I only am escaped alone to tell thee., William Blake

Behold now Behemoth which I made with thee, William Blake

One of six known impressions; trimmed all four sides; no watermark.

tom. VIII. pl. XXII. pag. 260; black and white; birds (loon)

tom. VIII. pl. XXV. pag. 304; black and white; birds — **Le Pélican** , 1781

Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: C. Baron

Not on View

tom. VIII. pl. XXXIX. pag. 498; black and white; birds (flamingo)

The Risen Christ between Saints Andrew and Longinus, Andrea Mantegna; Engraver: Unknown Italian artist, late 15th - early 16th century ?

The Massacre of the Innocents, Hendrick Goltzius

Virgin and Child in a Landscape, Albrecht Altdorfer

Holy Family with Saint Elizabeth and the Infant Saint John, Giovanni Antonio da Brescia

The Assumption of the Virgin, Domenico Campagnola

Knight, Death, and the Devil, Albrecht Dürer

Samson and Delilah, Lucas Huygensz van Leyden

Bacchanal with Silenus, Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century?

Hercules and Antaeus, After Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century

An Allegory of the Power of Love, Robetta (Cristofano di Michele Martini)

The Wedding of Cupid and Psyche, Hendrick Goltzius; Artist: after Bartholomaeus Spranger

Portrait of Jacques de la Faille, Hendrick Goltzius

Portrait of Josina Hamels, Hendrick Goltzius

Fantasy Landscape with Antique Buildings and Ruins, Monogrammist DB

Hercules Destroys the Lernaean Hydra, Heinrich Aldegrever

Hercules Chains Cerberus, Heinrich Aldegrever

man with long hair and curly beard, wearing a hat and cloak decorated with pairs of staffs and shells; man holds a staff in his PL hand; small book in a bag in front of man; landscape in background with tree over man's PL shoulder; text at bottom: "III. / QUI CONCEPTUS EST DE / SPIRITU SANCTO, NATUS EX / MARIA VIRGINE."

head and torso of woman with head turned to PR, holding short sword in her PR hand and holding Holofernes' severed head by the hair in her PL hand; small window with column and grasses visible through opening, ULC

kneeling nymph with eyes closed and drapery over her lap, her PR arm wrapped around the PL leg of a satyr standing behind her; satyr has PR arm around nymph's neck, PL arm holding a staff aloft; standing nude man behind satyr with staff held back like a baseball bat

male figure swooning against a tree, looking dramatically to his L at a grotesque, decaying figure with skull-like face, and long greasy hair who pulls at his arm; hour glass at figure's feet

male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet

woman in 3/4 pose in heavy dress and bonnet looking to L, holding a rake in PL hand; a basket of root vegetables on ground at PR; butter churn, large jar, and fruit basket in background; banderole over the top weaving through rake with German inscription

male figure in heavy dress standing with large staff in PL hand, dagger at PR waist; large jars and a bag of root vegetables at feet; banner over the top in German

round table at center with Christ gesticulating at R; three men around table listening; a man at L stands, holding a teapot; woman on floor at Christ's feet

three angels sitting at a round table at L of image, looking at a male figure to the R of the table who appears to be grabbing a plate; bowl on ground in front of table; woman at R entering scene from arched door

reclining nude woman lying on side with her back to viewer, looking toward ground; a boy stands behind the woman, resting his hand on her head, looking toward similar point on the ground; another nude figure crawls on all fours at L; foliage and castle in background

woman in plain dress with jacket standing in 3/4 pose with her head turned from the viewer toward the PR; gesturing with PR arm out, L hand in pocket; head almost entirely covered with a white scarf; jars at her feet

decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern

six men in peasant clothing fighting with clubs, swords, daggers, and spears; woven fence with grapevines in background

nude female figure sitting on ground with hands behind head, looking toward a baby lying on a cloth on the floor near her knee; nude male figure standing at L, looking outward, holding a bag in PL hand, and clutching a spilling coin purse to his chest; frog on shoulder

couple walking, holding hands; male at L wears a badge and rests PL hand on a crutch, swinging his wooden peg leg forward; woman at R walking with a crutch with footless R leg forward

Corinthian column with heavy leaf ornamentation and scrolling motif at top; cluster of grapes in column's upper center; inscriptions on sides

nude male figure at center fighting snakes off of his arms and legs; toddler with a snake on his leg grabs at the man's PL leg, while a young boy to the man's PR struggles with a snake on his own leg; stone archway and pillars in background

roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles

female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R

winged figure in rear 3/4 view with windblown garment holding a large ewer in PL hand, and another object in PR hand to PR shoulder; large ball by feet; stone blocks at R

large covered drinking cup with knights in small cartouches around top; leaf design at center; oval medallions lining widest portion in lower half; inscription at top

bearded man sitting on a seat with windblown cape holding a baby upside down by its leg in PL hand, and a sickle in PR hand, two dragons appear to be pulling him; clouds divide that scene from a farming scene below: man at L plows field near a barn and man at R slaughters a boar

two profiles of a man's face facing R; L is an outline of theface and features with an overlaid grid; face at R is fully detailed and shaded

young man kneeling at a riverbank, grasping a large fish; the man is looking behind him to an angel in the R side of image, who is pointing in an instructive manner and holding a purse; dog at far R, city in background at L

black and white engraving of two male figures with ropes walking in opposite directions with a circular form between them; figure floating overhead; two toppled cups lay at their feet

bearded nude male figure in the lower part of image with water coming out of a vessel; nude female figure UR seated on clouds with a rainbow and a gourd; angel with two wands UL

nude female figure LR on water holding a shell; seated nude male with his back to viewer on L with vegetation; angel top center with two wands

nude male figure with a bow and quiver of arrows and a crown of leaves on L side attended by a woman; woman with crescent in her hair attended by female behind oval shape on R side

nude woman standing center; nude male sleeping LL corner; bearded man UL; two figures in the background with many animals on the R

When the Almighty was yet with me, When my Children were about me, William Blake

Title page from Illustrations of the Book of Job, William Blake

Thy Sons & thy Daughters were eating & drinking Wine…, William Blake

Let the Day perish wherein I was Born, William Blake

The Just Upright Man is laughed to scorn, William Blake

Then a Spirit passed before my face the hair of my flesh stood up, William Blake

I have heard thee with the hearing of the Ear but now my Eye seeth thee, William Blake

I am Young & ye are very Old wherefore I was afraid, William Blake

When the morning Stars sang together, & all the Sons of God shouted for joy, William Blake

So the Lord blessed the latter end of Job more than the beginning, William Blake

And my Servant Job shall pray for you, William Blake

There were not found Women fair as the Daughters of Job in all the Land & their Father gave them Inheritance among their Brethren, William Blake

Every one also gave him a piece of Money, William Blake

Then went Satan forth from the presence of the Lord, William Blake

And when they lifted up their eyes afar off…, William Blake

Saint Jerome in Penitence, Albrecht Dürer

The Man of Sorrows Standing, Albrecht Dürer

Coat of Arms with a Lion and a Cock, Albrecht Dürer

Man of Sorrows by the Column, Albrecht Dürer

St. Peter and St. John Healing Cripple at Gate of Temple, Albrecht Dürer

Christ Carrying the Cross, Albrecht Dürer

The Dissimilar Couple, Israhel van Meckenem

The Dance at the Court of Herod, Israhel van Meckenem

The Falconer and a Noble Lady, Israhel van Meckenem

Joust of Two Wild Men, Israhel van Meckenem

Saint Mary the Egyptian and Saint Mary Magdalen, Israhel van Meckenem

Saint John the Evangelist on the Island of Patmos, Martin Schongauer

The Death of the Virgin, Martin Schongauer

The Second Wise Virgin, Martin Schongauer

The Third Foolish Virgin, Martin Schongauer

nude woman with long hair blowing in the wind seated backwards on a goat, holding onto its PR horn with her PL hand; woman holds a broom (?) in her PR hand; four putti with wings in foreground, holding sticks, a ball and a small topiary; rain/snow falling from sky, ULC

Hercules Fighting the Centaurs, From the Labors of Hercules, Sebald Beham

three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL

woman kneeling at L before a ruler seated on throne at R; baby at woman's knee and king's foot; a female figure with other male figures in background; open archway at L overlooking masonry structures

Christ standing to R of gnarled tree, facing a grotesque figure with beastly head, wings, webbed fingers, fish tail, and human legs; at ULC, small image of Christ on a plateau; at UR, small image of Christ standing atop a building, in both miniatures facing a similar looking beast

floral and leaf decorative pattern with two Tritons at center, emerging from vines; one Triton faces out, the other with its back to viewer; two putti holding fronds flank L and R side

nude female figure with cloth draped over PL leg; standing cherub with bow in hand at R; curtains in background

front 3/4 view of nude male figure with sash blowing around back; figure holds a spear vertically to the PL side of body; flower at PL foot; decorative foliate design bottom half

two profiles of a woman, facing R; profile at L is a mostly simple outline with overlaid grid; bust on R is a more detailed and shadowed image

profile of nude female figure seated on steps, submerging her feet in water; large bonnet on head, pensive expression; holds a tool in her hand

nude men engaged in hand-to-hand combat, many with shields, arrows, clubs, daggers, etc.; men standing to fight in rear with others crouching and on ground in front row

seated female nude, with legs tucked up, reaching PR arm up to stroke the neck of a large swan to her L; portion of a tree in background, and castle ULQ background

armor stylized in the form of a nude torso at center; cherubs holding vine flank both sides, one facing out and the other in

muscular, bearded male figure wrapped in robe leaning on spiked club in PR hand; standing on the head of a writhing Satyr, and holding its ankle in his PL hand; inscription across top

three leafy brooch designs on sheet: L design features wide-leafed vines with a face emerging from center leaf; center design shows a vase emerging from intertwined leaves, with two swirls flanking the vase; R design features nude torso emerging from vines, with male heads emerging from leaves flanking center motif

male figure standing in 3/4 pose, holding papers or cards in PL hand and a whip like object in PR hand; empty banderole behind man's upper torso; rocks and weeds at feet

rear 3/4 view of a male peasant facing R, looking up to sky; PR hand resting on sword strapped to belt, pitchfork in PL hand; banner over figure reads "Es ist kalt Weter" (It is cold).

rear 3/4 view of a male peasant facing L, hands held behind back, standing behind a rough wooden fence; banner behind figure reads: "Das schadet et nit" (That's of no concern).

pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground

double-headed frog near center below tree; fierce looking bird on L branch of tree, and angry looking rodent on R branch; fierce and frightened looking animals including wolf, dogs, and a deer

Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve

female figure with hat and scarf sitting, cradling an infant; male figure at LL watches; trees framing scene at L; mountain with castle in background

Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple

woman riding on a billowing cloud, facing forward, resting PR hand on open book of music; horse behind her; peacock at LRC; woman is holding a large instrument in PL hand

seated woman in profile, holding torch out in PR hand, and a heart with an arrow pointing toward a lion in her PL hand; she gazes into the face of a large black bird standing behind her

woman seated on cloud or roots, with large bird on PL shoulder; woman holds mirror in PL hand and a spike with horseshoes in PR

seated woman resting head on elbow propped up on a block, idly drawing on a round pedestal with compass in PR hand; large swan behind her, goat LLC

black and white image; two standing figures, R figure with backwards facing, holding an infant in her arms; R figure wearing veil, reaching out to touch infant's head; small, bearded figure in top C, PR hand raised in blessing; print is mounted on white sheet

head and shoulders of man in oval inset; various scenes surrounding on all sides

Herod stands at the top of a flight of stairs commanding his soldiers to massacre the children held by distraught women, who try to protect their infants.

Allegory of Life (The Dream of Raphael), Giorgio Ghisi

The Alchemist, Philips Galle; Artist: after Pieter Brueghel the Elder

crucified Jesus reclined next to seated Mary, comforted by another woman behind her; two other figures at L examine wound in Jesus' PR hand

Joseph at R looking at a large book, seated sideways on a ledge, with landscape beyond; Mary at L, looking toward Joseph and steadying infants Jesus and John the Baptist on cushions at LLC

seated St. Jerome wearing a draping garment, looking upward; saint holds rock on top of book at R; crucifix at R; other books at L; tree trunks and foliage in background

dove standing on the head of a crying clown; numbers 6102305 below clown

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Holy Family at R with Joseph feeding donkey, Mary kneeling beside manger with baby Jesus and two angels; vertical beam at center of image separates four shepherds at L with two sheep, looking on

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian

La Mariposa, Mauricio Lasansky; Printer: Atelier 17 , New York

seated female figure wearing gown and acantus leaf crown, with a starred and striped shield and sword; crowd of kneeling, supplicating men at L, two holding documents

A-frame cottage at R next to winding river at center; high bank to L of river with a tree; heavy foliage behind cottage

Scottie dog and cow in foreground with farmhouse and diagonal fence section behind; mountains in background

view along shore line with workers and boats; bridge and buildings in distance; vertical formal

pedestrians and carriages at busy intersection; buildings on three corners--left, right and center

dock with figures walking and people leaning on railing at right; other figures seated and reclining below dock on shore in LLQ; small boat on water at center; building on top of hill at top center background

silhouettes of figures seated on log, riding horses and standing and crouching at water's edge; bridge with arches at center middle ground; boat at left

Arc de Triumph with pedestrians and horses; tree at center

man in LRQ standing on a table with divided slots, pouring out letters from a mailbag; other men in background at table sort letters; men at left sort letters into vertical cubbyholes on wall; uniformed man in LLQ reaching into a large mailbag

figures seated on bench on shore at left; people disembarking from a boat on a long ramp at center; two other boats at center

people working in a field; standing woman, LRC, holding a basket, in profile from left; squatting woman in LLC; three figures at center including seated man and man with three barrels; trees in URQ at horizon line